Mar 26, 2014

Wildcard Wednesday
What’s Your Point of View?

Previous articles in this series: Finding Ideas; Finding Time; Pantser Vs. Plotter; Chacters;

We're making progress! You have your idea, or at least a few suggestions on where to find one, you've carved out the time to write, you've figured out whether you're a pantser or a plotter, and you've created at least one character to tell your story. Now you have to decide what point of view, or POV, you want to write from.

"Writers are gods. We get to create entire worlds, populate them, and even, as in some sort of novelistic Götterdämmerung, destroy them. Of course, writers can do this in any viewpoint, but omniscient point of view adds another layer to the process." - Nancy Kress

Point of view (POV) is the position from which the story is presented, the way the author allows the reader to "see" and "hear" what's going on. It determines the amount and kind of information the reader will be given. It is the lens through which the reader can see the world of the novel they’re reading.

First Person POV

First person point of view is probably the most natural voice to use because you use it all the time in your everyday life. Whenever you tell somebody about something that happened to you, you use the "I" of the first person.

The advantage of this point of view is that you get to hear the thoughts of the narrator and see the world of the story through his or her eyes. However, as readers, we share all the limitations of the narrator. We can only see and hear what they experience.

The narrator of a first-person story is a character within the story and therefore limited in understanding. He or she might be an observer who happens to see the events of the story, a minor character in the action, or even a protagonist.

While I quite enjoy a story written in the first person, I feel it makes the story more immediate, there are a lot of readers out there who feel otherwise. I don't know why this is, but I know people who don't care how good the book is or who's written it, they will not buy it if it's written in first person.

Second Person POV

Second person POV is the most difficult POV to write from and is seldom used. In this POV the author speaks directly to the reader using “you”. In essence, the author invents a fictional character and then invites the reader to become that character.

Here’s an illustration:
You are not the kind of guy who would be at a place like this at this time of the morning. But here you are, and you cannot say that the terrain is entirely unfamiliar, although the details are fuzzy. You are at a nightclub talking to a girl with a shaved head. From Bright Lights, Big City by Jay McInerney.

The author who uses this POV has made a daring choice, probably with a specific purpose in mind. Second person POV is meant to draw the reader into the story, almost making the reader a participant in the action.

Just as there are those who don't enjoy first person, I tend to avoid stories written in the second person POV. They just seem a little off to me. There was a story I read many years ago called Joni, it was in a science fiction/fantasy anthology and I can't for the life of me remember who wrote it, nor can I remember the name of the anthology, but the story stuck with me because I found the POV off-putting.

Third Person POV

Third-person point of view has the reader looking through a window at the story. The author uses "he," "she," or "it” and is narrating the story. There are three types of third person POV: omniscient, limited omniscient, and dramatic.

In the omniscient POV the narrator can home-in on a scene and on the viewpoint character in particular, showing us the events through the character's eyes and letting us hear their thoughts. We are told everything about the story, including the thoughts and feelings of all the characters, and even information that none of the characters know.

In limited omniscient, we are told the thoughts and feelings of only one character (rarely more than two characters). We do not know what is in the minds of other characters.

With the dramatic POV, we are told only what happens and what is said; we do not know any thoughts or feelings of the characters. It is called "dramatic" because it includes the words and actions, just as though you were observing a play or film.

Epistolary POV

In epistolary novels, the entire story is told in the form of letters, written from one or more of the characters to other characters. Their greatest strength is the strong sense of realism that they create.

These days letters have unfortunately gone out of fashion - both in the real world and in fiction - but it is possible to put a modern twist on the concept by substituting e-mails, or even text messages for letters.

So Which POV Is Best?

Most fiction writing comes down to two choices for POV: first and third. The chances are that you could write two versions of a novel - one in first person, the other in third person - and both would turn out fine, just differently. I have even read novels using both points of view, but these were by well established authors. Check out Charles de Lint or Maeve Binchy for examples of these.

If you’re not sure what POV to use, try them all. If it works, it works. And if it doesn't, you can always reshape it into a more traditional form later. The great thing about writing a novel is you can always change your mind.

For more help with this, try the following links:
What Point of View Should You Use, by Writer's Digest
Point of View, by About dot com
First, Second, and Third Person, by Grammar Girl
Two Heads Aren't Always Better Than One, by Robert J. Sawyer

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